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Africa, Kenya, Narok County, Masai Mara. Masai men dancing at their homestead.
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Women sing and dance before the bull jumping, Hamer Jumping of the Bulls initiation ceremony, Turmi, Lower Omo valley, Ethiopia, Africa
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Masai warriors performing jumping dance, Serengeti Park, Tanzania, East Africa, Africa
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Close-up of a male, indigenous tribal dancer wearing a colorful costume and peacock feathered headdress in the St Michael Archangel Festival parade in San Miguel de Allende, Mexico
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Hamer (Hamar) people at Evangadi dancing (Hamer night dance), Dombo village, Turmi, Lower Omo Valley, Ethiopia, Africa
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Stick dance from the tribal people of the island of Yap, Federated States of Micronesia, Caroline Islands, Pacific
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Bushmen,or San,dance during a sing-song round their campfire. The men have rattles wound round their legs to help the rest of them keep rhythm during their dances.These NS hunter gatherers live in the Xai Xai Hills close to the Namibian border. Their traditional way of life is fast disappearing.
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A man and wife of a San community dance during a sing-song round their campfire. The men have rattles wound round their legs to help the rest of them keep rhythm during their dances.These NS hunter gatherers live in the Xai Xai Hills close to the Namibian border. Their traditional way of life is fast disappearing.
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Karo people with body painting, made from mixing animal pigments with clay, dancing, Kolcho village, Lower Omo valley, Ethiopia, Africa
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Maasai warriors perform a welcome dance at a lodge in the Masai Mara, Kenya.
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Colourfully dressed and face painted local tribes celebrating the traditional Sing Sing in the Highlands of Papua New Guinea, Pacific
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South America, Brazil, Miranda, Terena indigenous people from the Brazilian Pantanal performing a ritual stick dance in grass skirts
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Colourfully dressed and face painted local tribes celebrating the traditional Sing Sing in the Highlands of Papua New Guinea, Pacific
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At the culmination of a Hamar bull-jumping ceremony,the rite of passage to manhood for every male,the bull-jumper or initiate runs naked across the backs of a line of bulls. He does this twice in each direction. Once he has completed his bull jump he is takes his place as a man of the tribe,he can take a wife and can vote on tribal issues.
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Kenya,Kajiado,lpartimaro. Two Maasai warriors in full regalia. The headress of the man on the left is made from the mane of a lion while the one on the right is fringed with black ostrich feathers. Their traditional weaponry includes long-bladed spears and shields are made of buffalo hide.
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During an eunoto ceremony when Maasai warriors become junior elders,their heads are shaved and they daub themselves with white clay.
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Pokot women and girls dancing to celebrate an Atelo ceremony. The Pokot are pastoralists speaking a Southern Nilotic language.
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A Bushman,or San,mimics an ostrich as he sings and dances round a campfire. The rest if the band keeps rhythm to the noise of the rattles wound round the dancer's legs. These NS hunter gatherers live in the Xai Xai Hills close to the Namibian border. Their traditional way of life is fast disappearing.
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A bushman,or San,collapses in a trance and is helped by members of his band during a sing-song round their campfire. These NS hunter gatherers live in the Xai Xai Hills close to the Namibian border. Their traditional way of life is fast disappearing.
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Australia, Queensland, Laura. Indigenous dance troupe at the Laura Aboriginal Dance Festival.
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During Samburu wedding celebrations,warriors resplendent with long Ochred braids dance with young girls who have put on all their finery for the occasion. Both warriors and girls smear their faces,necks and shoulders with red ochre mixed with animal fat to enhance their appearance. Two spears are tipped with ostrich-feather pompoms.
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A bushman,or San,collapses in a trance during a sing-song round their campfire. The men have rattles wound round their legs to help the rest of them keep rhythm during their dances.These NS hunter gatherers live in the Xai Xai Hills close to the Namibian border. Their traditional way of life is fast disappearing.
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During Samburu wedding celebrations,married women congregate apart from the warriors and young girls to sing in praise of the couple and to dance.
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Song is an art form ingrained in Turkana culture. At the end of a dance session,the participants invariably enjoy the Song of the Bulls. Each young man will take centre-stage to extol the praises of his favourite ox. He will explain how it came into his possession,its distinguishing traits and with outstretched arms,imitate the shape of its horns.
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During their dances,Maasai warriors take turns to leap high in the air from a standing position without bending their knees. They achieve this by flexing their ankles in a seemingly effortless way .
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During a Ngetunogh ceremony, the mother of a Pokot initiate sings and dances holding high the cowhorn container she used to smear fat over the masks of her son and other boys as a blessing.
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Kenya, Samburu District. A tourist attempting to jump as high as a Samburu warrior, in the dry river bed of the Ewaso Nyiro.
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Australia, Queensland, Laura. Lockhart River dancers at the Laura Aboriginal Dance Festival.
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During Samburu wedding celebrations,married women congregate apart from the warriors and young girls to sing in praise of the couple and to dance.
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Australia, Queensland, Laura. Indigenous dancer from the Lockhart River community at the Laura Aboriginal Dance Festival.
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Samburu warriors,spears in hand,jump into the air without bending their knees during one of their dance routines.
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Face and body painted local tribes celebrating the traditional Sing Sing in Paya, Papua New Guinea, Melanesia, Pacific
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Young Samburu girls dance during a wedding celebration. By arching their backs and thrusting out their chests,they flick their beaded necklaces up and down while dancing silently to the songs of the warriors. Their bodies and necklaces have been smeared with red ochre.
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Pokot women wearing traditional beaded ornaments and brass earrings denoting their married status. celebrate an Atelo ceremony. The Pokot are pastoralists speaking a Southern Nilotic language.
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Pokot warriors celebrate an Atelo ceremony. The Pokot are pastoralists speaking a Southern Nilotic language.
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A young Samburu girl dances during a wedding celebration. By arching her back and thrusting out her chest,she flicks her beaded necklaces up and down while dancing silently to the songs of the warriors. Her body and necklace have been smeared with red ochre,and her eyebrows blackened with charcoal dust mixed with animal fat.
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Gabbra women sing and dance to celebrate a wedding. The traditional metal ornamentation on their heads is called malmal.
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Old Datoga women wearing beautifully tanned and decorated leather dresses sing a short distance from their homes. They keep rhythm by rubbing their numerous iron bracelets together.The Datoga (known to their Maasai neighbours as the Mang'ati and to the Iraqw as Babaraig) live in northern Tanzania and are primarily pastoralists.
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A Dassanech man in full tribal regalia participates in a dance during a month long ceremony. He wears a cheetah skin draped on his backs and a black ostrich feather headdress. He dances holding a long stick and a simulated shield.His face is smeared with mud giving him a singular appearance.
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Karo men excel in body art. Before a dance, they will decorate their faces and torsos elaborately using local white chalk, pulverised rock and other natural pigments. While older men style their hair with clay, young men prefer to braid theirs.Every man carries a wooden stool, which doubles as a pillow at night.The Karo are a small tribe living in three main villages along the lower reaches of the
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Colourful dressed and face painted local tribes celebrating the traditional Sing Sing in Paya, Papua New Guinea, Melanesia, Pacific
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Australia, Queensland, Laura. Young indigenous dancers at the Laura Aboriginal Dance Festival.
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Australia, Queensland, Laura. Indigenous dancer in tribal body paint at Laura Aboriginal Dance Festival.
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Pokot men, women, boys and girls dancing to celebrate an Atelo ceremony. The Pokot are pastoralists speaking a Southern Nilotic language.
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Men and women dance during a month long Dassanech ceremony. The men wear leopard, cheetah or serval cat skins draped on their backs and black ostrich feather headdresses. The women, dressed in skins, hang a single black and white colobus monkey skin down their backs.
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Australia, Queensland, Laura. Indigenous dancers at the Laura Aboriginal Dance Festival.
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Pokot women and girls dancing to celebrate an Atelo ceremony. The Pokot are pastoralists speaking a Southern Nilotic language.
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Kenya, Samburu District. Samburu warriors and young girls sing and dance in the dry river bed of the Ewaso Nyiro River.
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Song is an art form ingrained in Turkana culture. After months of separation,young men and girls gather together during the rains when grass is abundant and life is relatively easy for a while. The Turkana have a rich repertoire of at least twenty dances,most of which are quite energetic.
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A Pokot warrior wearing a leopard skin cape celebrates an Atelo ceremony, spear in hand. The Pokot are pastoralists speaking a Southern Nilotic language.
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Australia, Queensland, Laura. Young indigenous dancers at the Laura Aboriginal Dance Festival.
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Gabbra women sing and dance to celebrate a wedding. The traditional metal ornamentation on their heads is called malmal.
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Stick dance from the tribal people of the island of Yap, Federated States of Micronesia, Caroline Islands, Pacific
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Ritual dancing round cows and bulls before the initiate jumps, Jumping of the Bulls initiation ceremony of the Hamer (Hamar) people, Turmi, Lower Omo Valley, Ethiopia, Africa
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A bushman,or San,dances during a sing-song round their campfire. The men have rattles wound round their legs to help the rest of them keep rhythm during their dances.These NS hunter gatherers live in the Xai Xai Hills close to the Namibian border. Their traditional way of life is fast disappearing.
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Australia, Queensland, Laura. Indigenous dancers performing at the Laura Aboriginal Dance Festival.
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Australia, Queensland, Laura. Indigenous dancer from the Lockhart River community at the Laura Aboriginal Dance Festival.
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Song is an art form ingrained in Turkana culture. At the end of a dance session,the participants invariably enjoy the Song of the Bulls. Each young man will take centre-stage to extol the praises of his favourite ox. He will explain how it came into his possession,its distinguishing traits and with outstretched arms,imitate the shape of its horns.
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Australia, Queensland, Laura. Indigenous dancer from the Lockhart River community at the Laura Aboriginal Dance Festival.
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A traditional Batak Gondang Siboru dance by women hoping to attract a man's proposal, Huta Bolon, Samosir Island, Sumatra, Indonesia, Southeast Asia, Asia
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Young Datoga men jump high in the air during a dance. The Datoga (known to their Maasai neighbours as the Mang'ati and to the Iraqw as Babaraig) live in northern Tanzania and are primarily pastoralists.
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Gabbra women dance at a gathering in the village of Kalacha. The Gabbra are a Cushitic tribe of nomadic pastoralists living with their herds of camels and goats around the fringe of the Chalbi Desert.
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A lively Nyangatom dance is enjoyed by villagers in the late afternoon.The elevated houses in the background are both homes and granaries, which have been built to withstand flooding when the Omo River bursts its banks The Nyangatom are one of the largest tribes and arguably the most warlike people living along the Omo River in Southwest Ethiopia.
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The invited guests at a Samburu wedding gather together to sing in praise of the couple and to dance. Celebrations will go on late into the night.
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Africa, Kenya, Narok County, Masai Mara. Masai men and women dancing at their homestead.
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Young Pokot men and women dancing to celebrate an Atelo ceremony. The Pokot are pastoralists speaking a Southern Nilotic language.
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Hamar women dance, sing and blow small tin trumpets during a Jumping of the Bull ceremony.The semi nomadic Hamar of Southwest Ethiopia embrace an age grade system that includes several rites of passage for young men.The most elaborate of them and the most important is the Jumping of the Bull ceremony when a youth attains full manhood and is permitted to marry.
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A bushman,or San,weeps in a trance as he is helped by members of his band during a sing-song round their campfire. The men have rattles wound round their legs to help the rest of them keep rhythm during their dances.These NS hunter gatherers live in the Xai Xai Hills close to the Namibian border. Their traditional way of life is fast disappearing.
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Indigenous tribal dancers wearing feathered headdresses in the St Michael Archangel Festival parade in San Miguel de Allende, Mexico
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Australia, Queensland, Laura. Indigenous dancers at the Laura Aboriginal Dance Festival.
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Australia, Queensland, Laura. Indigenous dancers with handprint decorations on back.
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A Pokot warrior wearing a cheetah skin jumps high in the air surrounded by young women to celebrate an Atelo ceremony. The Pokot are pastoralists speaking a Southern Nilotic language.
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Song is an art form ingrained in Turkana culture. At the end of a dance session,the participants invariably enjoy the Song of the Bulls. Each young man will take centre-stage to extol the praises of his favourite ox. He will explain how it came into his possession,its distinguishing traits and with outstretched arms,imitate the shape of its horns.
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In their dances, Samburu warriors take it in turns to leap high in the air from a standing position without bending their knees. This is achieved by flexing their ankles in a seemingly effortless way. Their long Ochred braids distinguish them from other members of their society.
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Maasai warriors resplendent with long ochred braids relax and wait for the start of a ceremony. Red has always been their preferred colour.
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Close-up of an indigenous tribal dancer wearing costume with a skull mask and blond wig in the St Michael Archangel Festival parade in San Miguel de Allende, Mexico
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Close-up of female, indigenous tribal dancers in colorful costumes in the St Michael Archangel Festival parade in San Miguel de Allende, Mexico
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Naga man wearing tiger jaw necklace and headdress made of cane decorated with wild boar teeth and bear fur, dancing at grand finale, Naga New Year Festival, Lahe village, Sagaing Division, Myanmar (Burma), Asia
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Indigenous tribal dancer wearing a deer head on his headdress and a musician playing the flute in the background in the St Michael Archangel Festival parade in San Miguel de Allende, Mexico
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Colourfully dressed and face painted local tribes celebrating the traditional Sing Sing in Paya in the Highlands, Papua New Guinea, Melanesia, Pacific
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Karo men excel in body art. Before a dance, they will decorate their faces and torsos elaborately using local white chalk, pulverised rock and other natural pigments. While older men style their hair with clay, young men prefer to braid theirs.Every man carries a wooden stool, which doubles as a pillow at night.The Karo are a small tribe living in three main villages along the lower reaches of the
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