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Maasai men ride camels in the dry bush country at Olorgasailie,situated between Nairobi and Lake Magadi.
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Maasai men ride camels in the dry bush country at Olorgasailie,situated between Nairobi and Lake Magadi.
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Two Maasai men ride camels near Lake Magadi in Kenya's Rift Valley Province. Although the Maasai do not customarily keep camels,much of the semi-arid land of southern Maasailand is more suited to camels than cattle.
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A Maasai warrior speaks on his mobile phone from the saddle of his camel near Lake Magadi in Kenyas Rift Valley Province.Mobile phones are a popular method of communicating with family and friends in remote areas of Kenya.
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In the early morning,Maasai men lead a camel caravan laden with equipment for a 'fly camp' (a small temporary camp) along the shores of Lake Magadi.
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Maasai men lead a camel caravan laden with equipment for a 'fly camp' (a small temporary camp) past Lake Magadi. Clouds hang low over the Nguruman Escarpment (a western wall of the Great Rift Valley) in the distance.
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Maasai men lead a camel caravan laden with equipment for a 'fly camp' (a small temporary camp) close to Lake Magadi in beautiful late afternoon sunlight.
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Maasai men lead a camel caravan laden with equipment for a 'fly camp' (a small temporary camp) close to Lake Magadi in beautiful late afternoon sunlight.
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Maasai men,spears in hand,drive their laden donkeys across pristine volcanic grassland at the southern end of Lake Natron. Donkeys carry loads in leather panniers strapped loosely to their flanks
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Maasai men,spears in hand,drive their laden donkeys across pristine volcanic grassland at the southern end of Lake Natron. Donkeys carry loads in leather panniers strapped loosely to their flanks.
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A Maasai man,spear in hand,drives his laden donkeys across pristine volcanic grassland at the southern end of Lake Natron. Donkeys carry loads in leather panniers strapped loosely to their flanks.
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Maasai warriors stride across the golden grass plains at the foot of Ol doinyo Lengai, the Maasais Mountain of God. Ol doinyo Lengai is the only active volcano in the Gregory Rift, an important section of the eastern branch of Africas Great Rift Valley system that stretches from northern Kenya into Northern Tanzania.
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Maasai pastoralists water their livestock at the seasonal Sanjan River,which rises in the Gol Mountains of northern Tanzania.
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Deep Maasai wells at Loibor Serrit where cattle paths are cut deep into the soil to allow livestock nearer to the source of water. Despite this immense amount of manual labour.Four fit, young men are necessary to bring water to the stock troughs about 30 feet above the water level at the bottom of the hand dug wells.
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A Pokot warrior with a traditional blue clay hairstyle tends his camels in a lugga (seasonal watercourse) while waiting his turn to water them from a deep well.
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A Maasai warrior and a young herdsboy draw water for livestock from the deep wells at Naberera where cattle paths are cut deep into the soil to allow livestock nearer to the source of water.
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Maasai livestock watering at the seasonal Sanjan River,which rises in the Gol Mountains of northern Tanzania.
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Maasai livestock watering at the seasonal Sanjan River,which rises in the Gol Mountains of northern Tanzania.
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A Samburu woman milks a camel at her homestead in the early morning. The proximity of the calf helps to stimulate the flow of milk. Baby camels have a wool-like texture to their coats,which they lose after six month.
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A Maasai warrior drives his family's cattle to the Sanjan River in northern Tanzania
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Two Maasai warriors,spears on their shoulders,leave the friable dusty banks of the Sanjan River after watering their cattle.
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A Colourful Maasai livestock market near the towering extinct volcano of Kerimasi.
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A colourful Maasai livestock market near the towering extinct volcano of Kerimasi.
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Detail of a Maasai warrior's ear ornaments and other beaded or metal adornments. The Maasai practice of piercing ears in adolescence and gradually elongating the lobes is gradually dying out. This warrior's body and his long braids have been smeared with red ochre mixed with animal fat.
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Turkana girls return home from a Waterhole with water containers made of wood. Their cloaks are goatskin embellished with glass beads.
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Maasai warriors draw water from a deep well. The depth of wells is measured by the number of men required to bring water to the cattle troughs at the top of them. A three-man well will be about 24 feet deep since the buckets are thrown between the men in a rhythmic chant.
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A Maasai elder herds his cattle near the foothills of Ol doinyo Orok (the Black Mountain).
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A Maasai warrior resplendent with his long ochred braids tied in a pigtail watches over his family's cattle,spear in hand. The singular hairstyle of warriors sets them apart from other members of their society.
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During their dances,Maasai warriors take turns to leap high in the air from a standing position without bending their knees. They achieve this by flexing their ankles in a seemingly effortless way .
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A Maasai warrior blows a trumpet fashioned from the horn of a Greater Kudu. The strap is decorated with cowrie shells. Kudu-horn trumpets are only sounded to call men to arms or on ceremonial occasions.
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A Maasai warrior resplendent with long ochred braids tied in a pigtail at the back,puts red ochre on his friend's plaits. Red ochre is anatural earth,which is mixed with animal fat to the consistency of greasepaint.
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Kenya,Trans-Mara,Lolgorien. The Maasai do not eat game meat or birds. Consequently,the wildlife in their vast grazing areas has been left relatively undisturbed. The warriors do hunt lions,however,when their cattle are killed. The warrior who spears a lion to death will make a busby-style headdress from its mane.
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A back view of a Maasai warrior resplendent with long ochred braids tied in a pigtail. This singular hairstyle sets him apart from other members of his society. His beaded belt is of a style only worn by warriors. The little copper bell-shaped ear ornament hanging from his elongated and decorated earlobe is also peculiar to the Maasai.
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A Maasai warrior with his long braids and body coated with red ochre mixed with animal fat. He has put ochre dust round his eyes to enhance his appearance ready for a dance. The singular hairstyles of Maasai warriors sets them apart from other members of their society.
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A Maasai warrior has daubed himself with red ochre mixed with animal fat to participate in a dance. His long ochred braids have been drawn forward from the crown of the head and tied in three places. This singular hairstyle sets warriors apart from the rest of their society.
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A Maasai warrior resplendent with long ochred braids. His body has been smeared with red ochre mixed with animal fat while parts of his face have been covered with ochre powder.
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Kenya,Kajiado,Maparasha. A Maasai warrior resplendent with long,ochred braids. This singular form of hairstyle distinguishes warriors from the rest of their society. This man has looped his elongated and decorated earlobes over his ears - a common practice when walking through thorn scrub country to prevent the loops being snagged by thorns.
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A Maasai warrior in full regalia. He has stuck a porcupine quill in his beaded headband to add to his other decorations. His long,Ochred plaits have been drawn forward from the crown of his head and tied in three bunches.
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Kenya,Kajiado,lpartimaro. Two Maasai warriors in full regalia. The headress of the man on the left is made from the mane of a lion while the one on the right is fringed with black ostrich feathers. Their traditional weaponry includes long-bladed spears and shields are made of buffalo hide.
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One of the most important Maasai ceremonies is the eunoto when warriors become junior elders. Early one morning before the cattle are taken to pasture,their mothers shave their long ochred locks,which makes their appearance very different. One initiate can be seen blowing a Kudu horn trumpet.
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During an eunoto ceremony when Maasai warriors become junior elders,their heads are shaved and they daub themselves with white clay.
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Maasai warriors resplendent with long ochred braids relax and wait for the start of a ceremony. Red has always been their preferred colour.
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Turkana women and girls are responsible for watering livestock,which is unusual among pastoral societies. Here,a young girl waters goats from a waterhole dug in the sand of a seasonal watercourse. Her young brother will control the flow of stock to the water trough. In the background,a man digs out another waterhole; they have to been deepened regularly towards the end of the dry season.
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Turkana women and girls are responsible for watering livestock,which is unusual among pastoral societies. Here,a girl waters cattle from a Waterhole dug in the sand of a seasonal watercourse. The Turkana manipulate the horns of their ox's into perfect symmetry or any whimsical shape that takes the owner's fancy.
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A Turkana man drives his donkeys through lava fields as clouds gather above Mount Nyiru.
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Two Turkana girls set off to fetch water from a nearby Waterhole. Their water containers are made of wood by the women of the tribe. Their 'V' shaped aprons are made of goatskin and have been edged with hundreds and hundreds of round discs fashioned out of ostrich eggshells.
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In the semi-arid terrain of Turkanaland,women have to travel great distances to collect firewood. Like other Nilotic people,Turkana women balance heavy loads on their heads with graceful carriage and poise. The attire of this woman is typical of married women in the tribe.
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Maasai herdsmen drive their cattle home in the late afternoon over the dusty volcanic soil at the base of the western wall of the Gregory Rift,which dominates the landscape in this remote corner of northern Tanzania.
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A young Maasai herdsboy controls his family's cattle at the Sanjan River to prevent too many animals watering at the same time.
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A Samburu homeguard looks out over the steep-sided gorge of Mount Kulal,which divides the mountain into two. Volcanic in origin,Mount Kulal rises to over 6,000 feet in Northern Kenya and is surrounded by a sea of lava and arid wastes. The mountain is forested on top and is a vital water resource. It's open grasslands give pastoralists good grazing for their livestock.
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The natural rock pools along the Sirima lugga (seasonal watercourse) are important to the Turkana and their livestock in an otherwise waterless,rocky region at the southern end of Lake Turkana. In a year of average rainfall,water in the deepest pools will last throughout the year. If they dry up,the Turkana resort to using the alkaline water of Lake Turkana.
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The natural rock pools along the Sirima lugga (seasonal watercourse) are important to the Turkana and their livestock in an otherwise waterless,rocky region at the southern end of Lake Turkana. In a year of average rainfall,water in the deepest pools will last throughout the year. If they dry up,the Turkana resort to using the alkaline water of Lake Turkana.
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The natural rock pools along the Sirima lugga (seasonal watercourse) are important to the Turkana and their livestock in an otherwise waterless,rocky region at the southern end of Lake Turkana. In a year of average rainfall,water in the deepest pools will last throughout the year. If they dry up,the Turkana resort to using the alkaline water of Lake Turkana.
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A Samburu warrior talks to children about the bush on a Cheli & Peacock family safari.
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A Samburu moran teaches children the skills of being a warrior during a Cheli & Peacock family mobile safari.
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Samburu moran (warrior) tries the feel of a shotgun at the end of a bird shooting safari.
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A young Maasai herdsboy drives his family's herds to grazing grounds close to the Sanjan River in Northern Tanzania.
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In the early morning,a Maasai family drives their livestock across the friable,dusty plains near Malambo in northern Tanzania.
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In the early morning,a Maasai herdsboy and his sister drive their family's flock of sheep across the friable,dusty plains near Malambo in northern Tanzania.
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A warrior of the Kisongo section of the Maasai with his long Ochred braids decorated with beaded ornaments. His broad armulet is typical of the Kisongo living in northern Tanzania where white is the preferred colour of their beadwork.
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Maasai warriors take enormous trouble over their appearance especially their long hair,which is braided,Ochred and decorated with beaded ornaments. This singular hairstyle sets them apart from the rest of their community.
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Two Samburu warriors relax on a rock outcrop near the foothills of the Ndoto Mountains in Samburuland. This northern region of semi-arid thorn scrub country barely supports sufficient livestock for the semi-nomadic pastoralists living there.The Samburu of Northern Kenya are related to their more famous cousins,the maa speaking Maasai.
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A Samburu warrior plays a homemade flute overlooking Poi,a prominent rock feature in the Ndoto Mountains of Samburuland.The Samburu of Northern Kenya are a semi-nomadic pastoral community related to their more famous cousins,the maa speaking Maasai.
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A group of Maasai warriors,resplendent with long Ochred braids,chat outside their traditional houses. These squat houses with rounded corners have roofs plastered with a mixture of soil and cow dung,so need regular repairs during rain.
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A young Turkana girl wearing an attractively beaded leather apron and belt stands outside her mother's home. Sansevieria or wild sisal lines the lower walls of the house. Cicatrization round the nipples of a girl is not an uncommon form of beautification.
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A young Turkana herdsboy sneaks a drink of milk straight from a camel's udder. Camels are important to stockowners in the arid regions of Turkanaland since they are browsers and can be milked up to five times a day
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When a Turkana woman gives birth,four goats will be slaughtered in a twenty-four-hour period to celebrate the occasion. The skin of the first goat will be made into a pouch for carrying the baby on its mother's back. The small wooden balls on the back of this pouch are charms to ward off evil spirits. The baby is wearing a bracelet of ostrich eggshell beads.
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A Turkana girl in all her finery. Among the Turkana,cicatrization is a common form of beautification. She wears a crucifix given to her by a missionary; they are popular ornaments despite not necessarily being associated with Christianity.
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A Turkana woman wears all the finery of her tribe: brass lip plug,beaded collar decorated with bleached shells of the African land snail,leaf-like ear ornaments and metal earrings from which hang tiny rings of goat horn.
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At sunrise,a Samburu warrior leads baggage camels down the Milgis lugga - a wide,sandy seasonal watercourse. Water is never far below the surface of the Milgis and is a lifeline for Samburu pastoralists in this semi-arid region of their district.
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A Maasai warrior with his hair styled in a most unusual way. His long braids have been wrapped tightly in leather,decorated with beads and tied in an arch over his head. A colobus monkey tail sets this singular hairstyle apart from the more traditional warrior styles.
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Old and new. Dressed traditionally and carrying familiar wooden staff,two young men give hints that the lifestyle of younger Maasai generations is changing gradually in Tanzania.
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A Samburu warrior carries home a small calf to his family's manyatta (homestead) situated in the foothills of the rugged Ndoto Mountains. The Samburu of Northern Kenya are a semi-nomadic pastoral community related to their more famous cousins,the maa speaking Maasai.
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A large gathering of Maasai warriors,resplendent with long Ochred braids,listen to instructions from their chiefs and elders during a ceremony
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Two Samburu warriors resplendent with long Ochred braids and beaded ornaments relax in typical pose beside a river bank.
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A proud Turkana father and his young daughter. Both their hairstyles are typical of tribal custom in the west of Turkanaland.
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A jovial group of Turkana girls in traditional attire. Their aprons are made of goatskin,either beaded or cut into thin strips before braiding. The two girls in the middle have already had the flesh below their lower lips pierced in readiness for a brass ornament after marriage.
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Service in the bush - kerosene lanterns light the pathway to your tent on a mobile safari.
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