A Samburu woman wearing a mporro necklace, which denotes her married status. These necklaces were once made of hair from giraffe tails but nowadays, the fibres of doum palm fronds, Hyphaene coriacea, are used instead.The red beads after which the necklace is named are wound glass beads made in Venice c.1850.
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Palabras clave relacionadas
- 862-
- aborigen
- adulto
- África
- africana
- africano (hombre y mujer)
- africano (lugares y cosas)
- africano (perteneciente a Africa)
- AWL Images
- cadena
- cadena (joyería)
- collar
- cuenta
- cultura
- elaborado
- étnico
- femenino
- fotógrafia
- fotografía (arte)
- fotógrafias
- gente
- imagen a color
- indígena
- joya
- joyería
- keniano
- Kenya
- miembro de una tribu
- mujer
- niña
- ornamentado
- retrato
- ropa tradicional
- sacar fotos
- Samburu
- símbolo
- símbolo (señal)
- símbolos
- solamente mujeres
- solo
- sólo mujeres
- tradición
- tribal
- una persona
- uno
- uno (cantidad)
Imágenes relacionadas
- A Samburu woman wearing a mporro necklace, which denotes her married status. These necklaces were once made of hair from giraffe tails but nowadays, the fibres of doum palm fronds, Hyphaene coriacea, are used instead.The red beads after which the necklace is named are wound glass beads made in Venice c.1850.
- A Samburu bride waits pensively outside her new home until she is enticed in with promises of cattle.Her wedding gown is made of three goatskins, which are well oiled and covered in red ochre.She carries on her back a gourd full of milk and a small wooden jar containing butter.She now wears the mporro necklace of married women.
- Samburu girls are given strings of beads by their fathers when they are still young. As soon as they are old enough to have lovers from the warrior age set, they regularly receive gifts from them.Over a period of years, their necklaces can smother them up to their necks.
- A Samburu woman singing. The strings of black and white beads hanging from her ears signify that she has two grown-up sons who are warriors of the tribe. Note: the traditional horn snuff container hanging from her neck.
- A Samburu woman wearing a mporro necklace,which signifies her married status.These necklaces,once made of hair from giraffe tails,are now made from fibres of doum palm fronds (Hyphaene coriacea). The beads are mid-19th century Venetian glass beads,which were introduced to Samburuland by early hunters and traders.
- Samburu girls are given strings of beads by their fathers when they are still young. As soon as they are old enough to have lovers from the warrior age-set,they regularly receive gifts from them. Over a period of years,their necklaces can smother them up to their necks. The metal cross-like ornament hanging from the girl's headband has no religious significance.
- A pretty Samburu girl in traditional attire.
- A Mursi woman wearing a large wooden lip plate. Shortly before marriage, a girls lower lip will be pierced and progressively stretched over a year or so. The size of the lip plate often determines the quantum of the bride price. They live in a remote area of southwest Ethiopia along the Omo River.
Más imágenes relacionadas
- Shaded from the hot sun, a Karo woman grinds sorghum using large flat stones.It is customary for females of the tribe when in their teens to make a small hole in the flesh below their lower lips into which they put an ornament, this woman has used a small nail. Numerous heavy metal bracelets are worn by married womenThe Karo are a small tribe living in three main villages along the lower reaches o
- A Samburu woman resplendent in her beaded necklaces and numerous bracelets makes best use of a large rainwater pond to wash herself. Water is scarce in much of Samburuland.
- A Samburu Warrior drives his goats along the wide,sandy seasonal watercourse of the Milgis where waterholes dug by the Samburu in the dry season are a lifeline for pastoralists in this semi-arid region of their district.
- Kenya, Samburu District. A Samburu woman, wearing intricate beaded necklaces, leans against her mud hut towards the end of the day.
- A Karo woman with her face painted in preparation for a dance in the village of Duss. A small Omotic tribe related to the Hamar, who live along the banks of the Omo River in southwestern Ethiopia, the Karo are renowned for their elaborate body painting using white chalk, crushed rock and other natural pigments. She is wearing a goatskin apron and carries a leather belt decorated with cowrie shells
- A Karo women stands in the doorway to her hut in the village of Duss. A small Omotic tribe related to the Hamar, who live along the banks of the Omo River in southwestern Ethiopia, the Karo are renowned for their elaborate body painting using white chalk, crushed rock and other natural pigments. In addition to painting her face she has decorated her body with whorls of goat hair tied by leather co
- A Mursi woman wearing a large clay lip plate. Shortly before marriage, a girls lower lip will be pierced and progressively stretched over a year or so. The size of the lip plate often determines the quantum of the bride price. They live in a remote area of southwest Ethiopia along the Omo River, the country's largest river.
- An old Dassanech woman prepares her fields beside the Omo River with a digging stick in readiness to plant sorghum. This crude form of agricultural implement is in common use in this remote part of Ethiopia.